Aleksandra is a multidisciplinary artist based in Berlin, working across drawing, painting, experimental 3D animation, performance, video, and interactive game environments. She holds an MFA from the Stuttgart State University of Fine Art and Design, where she specialized in New Media, Performance, and Video within the Sculpture Department under the mentorship of Christian Jankowski and Mike Bouchet. She also participated in the Education Program at SOMA Mexico.

Her practice explores psychological and emotional states, bodily perception, otherness, and experiences that are difficult to articulate through language. Drawing has remained a central part of her work and has developed into a personal system of visual expression. Abstract forms, recurring structures, mutations, and repetitions function as a vocabulary through which internal experiences can be translated into images. Drawing is frequently accompanied by short texts and poetry, creating a shifting relationship between visual and linguistic expression.

Alongside drawing, Aleksandra works with experimental 3D animation and interactive digital environments. Her moving-image works construct psychological spaces through abstract forms, fragmented architecture, movement, repetition, and transformation. More recently, she has expanded this approach into experimental video game development, using interaction, movement, obstacles, and spatial navigation to explore how internal and emotional processes can become experiences that a viewer or player actively moves through.

Her animations have been presented internationally at art festivals and screenings, including ALC Videoart Festival at the Museo de Arte Contemporáneo de Alicante in 2025 and Anifilm in Liberec in 2026, where Leikgef was selected for competition. In 2026, she created the visual material for Spiral Permutations, a six-part audiovisual work developed with Kelvin Sholar and commissioned and presented by Haus der Kulturen der Welt in Berlin.

Aleksandra’s work has been shown in exhibitions and festivals across Germany, Poland, Ukraine, Mexico, Switzerland, Spain, and the Czech Republic. Her most recent solo exhibition, Guinea Pigs Also Bite (2023), curated by Dominique Suberville, took place at Daumenlutscher Berlin, an artist-run independent exhibition space where she also organized and curated exhibitions including UkraRUine (2023), Theory of Torture by Mao Yuqiu (2024), and Inflation: Sustainable Calm (2024).

Across physical and digital media, her work develops visual and spatial languages for psychological experience. Rather than illustrating specific emotions or narratives, she constructs abstract systems in which internal states can take form through drawing, text, movement, repetition, transformation, and interaction.